by Rev. Houston R. Cypress, Otter Clan
Board of Directors
Love The Everglades Movement

Reconciliation work is an integral aspect of Greater Everglades Restoration because of the necessity to integrate indigenous knowledges into the overall process.  These knowledges include their traditional ecological knowledge, their arts, as well as their scientific work.

Even with the continued lack of awareness by the general public of the full history of indigenous community interactions with the USA and the State of Florida, communities like the Miccosukee Tribe of Indians of Florida are still very optimistic about the potential to build coalitions focused on environmental conservation.

This optimism is exemplified by the ongoing educational outreach of various Miccosukee community members,  such as people like Miccosukee Grandmother Betty L. Osceola of the Panther Clan, and Miccosukee Elder Michael Frank of the Otter Clan.  This optimism is founded on the joy which is sustained by the community's spiritual beliefs.

This optimism is what inspires us to action, and what we would like to explore with you here by sharing 2 important historical documents created under the leadership of the Miccosukee Chairman Buffalo Tiger of the Bird Clan.

On July 17, 1983, the Honorable Buffalo Tiger formally announced a Celebration of Peace.  The Miccosukee Tribe of Indians of Florida had recently settled Land Claims concerning their interests in a homeland for their people.  These Miccosukee  land claims go back nearly 400 years and are recorded in numerous treaties between their people and the European powers of Spain, Great Britain, and  eventually the United States of America.

Around the time of this Land Claims Settlement, the Miccosukee Tribe also initiated an environmental study of the lands over which they were now guaranteed, and thus began their twice-yearly Everglades Study, which eventually led to the Miccosukee Tribe setting the standard for Everglades Restoration.  This water quality standard is one of the foundational goals of Everglades Restoration, which is the target of reducing phosphorus levels to 10 parts per billion in the River of Grass section of the Greater Everglades.

First we'll look at the TREATY RELATIONS OF THE MICCOSUKEE TRIBE, and then we'll look at the CELEBRATION OF PEACE declaration by Hon. Buffalo Tiger.  Both of these documents were created in 1983.

As you can see, the Miccosukee Tribe's interest in caring for these lands and waters goes back a long time.

These days, the US Environmental Protection Agency is currently advancing a misinformed and clumsy position regarding the status of "Indian Land" and "Indian Country" that diminishes the Sovereignty of the Miccosukee Tribe of Indians of Florida.

This untenable situation is currently worsened with the recent transfer of permitting authority -- outlined in Section 404 of the Clean Water Act -- to the State of Florida.  This means that the Miccosukee Tribe's Government-to-Government relationship is weakened to that of a conversation with the State of Florida.

I hope that this historical review helps the public to better understand why our organization supports finding a solution to these problems.

This is why I feel like the message of Reconciliation needs to be amplified when talking about Everglades Restoration.  This is how we make Land Acknowledgements actionable.  This is how we can honor our promises as Americans to our Indigenous Hosts.  This is about healing our relationships with one another as people, and ultimately, our relationships with a healthy and thriving ecology.

When we can support the Miccosukee Tribe of Indians of Florida secure their rights, we will be able to see their environmental conservation efforts flourish even more. Everyone benefits from clean water, and that is what the work of the Miccosukee Environmental Protection Agency is all about.  A healthy Everglades benefits everyone.  When it comes to the environment, Indigenous Rights Are Everyone's Rights.

by Rev. Houston R. Cypress, Otter Clan
Board of Directors
Love The Everglades Movement

Download the Shared Accountability Framework here:

Download the Guide to the Shared Accountability Framework here:

In the Fall and Winter of 2019, I was hired, on behalf of the Love The Everglades Movement, to be on the facilitation team organized by the Sierra Club national organization.

The Sierra Club brought together approximately 50 people from 6 cities across America so that we could combine our knowledge of Clean and Renewable Energy, organizing, activism, advocacy, environmentalism, and equity, in order to create tools that cities could use as they transition to using Clean and Renewable Energy.

Our focus was ACCOUNTABILITY.  How can municipalities keep track of their progress?  What factors are they tracking?  How can they make sure that low-income and marginalized communities are prioritized in that process?

We spent 3 days in Coconut Grove hashing it out.

And this is what we've created.

The Framework is a template for tracking important data, setting milestones, and creating a system to hold themselves accountable.

The Guide offers in-depth advice on process.

I'll write more on this later, but I just wanted to make sure you have the tools available.  Download the PDFs, check it out, and feel free to email me if you have questions.

REMEMBER -- this is another service that our nonprofit can provide for your community, corporation, or events:  Facilitation. 

We can help you clarify your objectives, co-create a process that works for you, and help your group to do your best thinking, ultimately synthesizing what comes up into something that everyone can agree on.

Yes, people need to take responsibility and engage in actions that reduce our energy demands.  But the majority of the use and pollution comes from corporations and cities and nations -- the big players.  So as much as we can do personally, we really need to engage the larger entities that have the power and resources available to effect positive, equitable, systemic and global change to heal the planet.

A Field Report
by Rev. Houston R. Cypress, Otter Clan
Board of Directors
Love The Everglades Movement

On the recent 4/20 Everglades research trip, I was concerned with updating the organizational understanding and practice of indigenous solidarity of the Love The Everglades Movement.  Our praxis.
 
I brought along my co-founder Jean Sarmiento, and a small group of friends who are also community leaders in the arts, such as Ray Orraca, multidisciplinary artist Franky Cruz, creative visionary and renaissance man DAZE of HIGHMERICA, artist Sofia de Cardenas, native plant landscaping leader Sunkeeper Environmental Solutions, and a heavyweight in creative literary publishing, so we could have a friendly discussion about the status of Miccosukee Hemp visioning.
 
We met up with TRISTAN TIGERTAIL, a gentleman from the community of the Miccosukee Tribe of Indians of Florida.  Tristan played an important role in setting up the regulatory framework for the Tribe’s entry into Hemp Production.

It’s been almost a year since the USDA approved the Miccosukee Hemp Plan.
Click this link to read the Miccosukee Hemp Regulations:
https://www.ams.usda.gov/sites/default/files/media/MiccosukeeTribeHempPlan.pdf

Our airboat took off at about a quarter to 4pm.  Overcast, it’s been about a week that the rains have been returning to South Florida.  Droplets here and there, but no rain at all that day, as grey as it was.  The Dry Season is ending.  Soon it will be a New Water Year.  And the Indians will be celebrating special religious festivals to honor the Circle of Life.  In spite of it all, there’s always reason to celebrate our relationships with Nature.
 
As we zigzagged across the wetland home of the Miccosukee people, we stopped and said hello to a straggler alligator, as most of them have been congregating in the canals to the west, according to Tristan, who was also our airboat driver.  Jean reminded us of the challenges that high-water levels bring, and the ways that it negatively impacts tree island plant and animal life.

We cruised to a nearby Miccosukee village, and by 4:20pm, we were in-joying an eclectic gabfest about indigenous sovereignty, the economy of plant medicines, and yummy fruit snacks.
 
I don’t know what it is about the River of Grass, but when you’re out there, conversations inevitably turn to healing and medicine.  The conversation opened up by speculating on the potential for hemp plants to improve water quality, and turned to evidence of hemp cultivation on land to improve soil quality.  The focus zoomed in on the specific healing capacities of cannabinoids such as CBN and CBG as well as others.
 
I was impressed at this latest iteration of indigenous self-determination.  As we talked about the various interpretations and expressions of Treatment as a State, we discussed how that term was interpreted by the Miccosukee Tribe to create exemplary environmental regulations pertaining to Water Quality and Phosphorus, Flows and Levels, and Nonpoint Source Pollution Management.

As we rounded out the Everglades airboat ride with a visit to the edge of the Big Cypress forest, I thought of Betty Osceola, the Panther Clan Grandmother and environmental educator.  She always says that’s one of her favorite spots to visit by airboat:  the transition zone between the River of Grass and the Big Cypress forest.
 
Betty Osceola recently announced her newest brand with a Facebook post:   RedWoman CBD.  Betty will sell her CBD products at the 2021 Motorcycle Swamp Rally this weekend in Ochopee.

Betty explains, “RedWoman CBD will have a booth.  We will be showing our CBD Flower along with CBD Delta 8 Flower and Delta 8 prefilled cartridge pens.”  All of her products are lab-certified and she will provide a lab sheet with each purchase.
 
The 2021 Motorcycle Swamp Rally is an interesting choice to launch a CBD product line.

The venue for the event is the Trail Lakes Campground.  The Shealy Family have been longtime supporters of Betty’s environmental advocacy efforts.  As Gladesmen, they honor many generations of living in and caring for the Big Cypress forest and the Greater Everglades.  They have offered use of the campground on many occasions to support the public who attends the spiritually-based direct actions that Betty has organized over the years.  It’s a place that offers a variety of cabins, camping amenities, guide services, and intrigue, to all their visitors.

The Motorcycle Rally promises to be a rollicking good time with live musical performances by Cypress swamp musical legend RAIFORD STARKE, with footstomping good tunes by THIRD WHEEL, and SOUTHERN STAMPEDE.

Miccosukee family are keeping the legend of IONA'S FRY BREAD vibrant with their mouth-watering Indian Burgers.  And make sure to take home some of that famous SKUNK APE HOT SAUCE available in 3 flavorsl

Cruise on over to the 2021 Motorcycle Swamp Rally this weekend.  Saturday and Sunday, April 24 & 25, 11am to 6pm on both days.

As I reflect back on the 4/20 airboat ride with Tristan, I’m excited about the healing potential of the Greater Everglades. Soon it will be a site for cultivating hemp products that complement a healthy lifestyle through the Miccosukee Hemp project.  Tristan embraced my friends and opened up about business, culture, and his dreams for the future of the Miccosukee community.  Other community members, like Betty Osceola, have been manifesting their own CBD-infused dreams.
 
When it comes to environmental conservation, indigenous rights are everyone’s rights.  When we support the Miccosukee position on Everglades matters, we are supporting the indigenous-led science that underlies meaningful Everglades Restoration efforts.

A healthy Everglades supports the Miccosukee cultural practices, and benefits everyone else through the many ecosystem services that it provides, including the refreshing of the aquifer where our drinking water is drawn from.

How fascinating that the next steps in Everglades conservation include supporting Hemp cultivation by an indigenous community!

A poem
by FLASH
The FunkFinder

by Clarence Washington

The natives are getting restless.  And with good reason!  They're being crowded out by invasive plants and flowers imported here from Asia and Europe.  The name "Florida" comes from the Spanish word "florido," meaning "flowery" or "full of flowers."  So why feel the need to import invasive flowers to our landscape?  You have 2,800 native species to choose from to decorate your yard.

Native plants are those that were here before the first Spanish settlers arrived in the 1500s.  In an environment that's as demanding and unique as Florida's, they're vital to preserving the ecosystem.  The natives feed the bees that in turn, feed us.  Before you prepare this year's spring garden, take a look at the compelling reasons to go native.

Saving our most precious resource is the most convincing reason to choose native species.  Every part of a native plant has evolved to help that plant prosper on rainwater.  The leaves, stems, blossoms, and root systems of native species are fine-tuned to suit your yard.  All that means less watering and more harmony with local insects and weather patterns.  Yes, they'll need some water while getting established, but most will thrive without extra irrigation.

Indigenous plants will save you time and money.  They've been growing for centuries without any help from us, and they'll continue to do so with very little maintenance.

Native species succeed in the local hardiness heat zone.  For Floridians, this means they're primed for moisture and high temperatures.  Local plants can grow strong and healthy with little effort.  They're also more resistant to native pests, fungus, and disease.  To top it all off, you won't be wasting time and money fertilizing.

The insects, animals, and plants in the Everglades work together to sustain their environment.  When planning your landscape, use this natural balance to your advantage.  Planting native flowers will attract native bees and other pollinators necessary for our fruits and vegetables.  Native plants and bugs will then attract predators like birds and small animals.  Those predators play a role in reducing pests and broadcasting seed.  Encouraging these symbiotic relationships is one way to preserve the environment.

While native plants can protect themselves from some of nature's problems, they can't protect themselves from invasive species.  The ghost orchid, pitcher plant, and wild columbine are among plants on the endangered list.  They're among hundreds of natives that can't compete with the invasives for sun, water, and nutrients.  When a plant species enters a new environment, a lack of predators or disease can allow it to take over.

It is now illegal in Florida to import or plant some invasives such as skunkvine, Brazilian pepper, water hyacinth, Japanese honeysuckle and other invasives considered noxious weeds.  But many other intruders are discouraged, but not banned.

By gardening responsibly, you can protect endangered and threatened plants.  Avoid those exotic plants that may look attractive, but bring a host of problems to your yard and the Florida ecosystem.  Before shopping for plants, flowers, or trees, check the list of invasive species.

Don't depend on the nursery to sell only native.  You have thousands of gorgeous options that will attract local wildlife and protect Florida's environment.  After planting that Southern magnolia, passion flower or swamp sunflower, offer cuttings to your neighbors, so their garden will also be eco-friendly.

by Rev. Houston R. Cypress, Otter Clan
Board of Directors
Love The Everglades Movement

A pre-dawn fog swirl'd low along the Tamyami Trail.  February 23, 2010.  You gotta go slow.

You
Can
Feel
the presence of so many lives,
monuments to joy, the tender traumas
of dreams abandoned, medicine sprouting from
guarded soils -- you can feel all that pulsating
in the early morning, you can feel all
that ensconced in the subdivisions, you can also feel
the spirits that these people care for according
to their own traditions, You just can't see it.  Thick fog.
You can feel it in the thick fog.

You gotta go slow.  A shattering contradiction after
returning from HyperReal Scintillating DMT-Space.

Walkingbird at The Shaman Lounge hosted a DMT smoke session earlier that night.  She's the kind of Shaman Woman of Power who said she in-joys "Agape with a splash of DMT!"  A Walkingbird recipe.  When the artistic collaborators needed a safe space to re-calibrate their experience of the Universe, no finer spot existed in West Miami, or Turtle Island, or this quadrant of the Galaxy, than The Shaman Lounge.

In The Spiritual Ourstory of South Florida and the Greater Everglades -- which is already written in the celestial planes, glistening letters on parchment made of the sacred deer hide -- my favorite chapters celebrate the Set & Setting that Walkingbird continually re-created, remembering those choreographies of healing energy that catalyzed a spiritual renaissance.  Hippie, seer, artist, mother, and so much more -- she conjured a cozy chamber dedicated to good vibes that always throbbed with the best music from across the Universe.  "She Really Likes It."

What are you going to look at?
What are you going to listen to?
You can choose!

These heuristics are the result of decades of experience navigating the realms that are made accessible via entheogens.  From countless psychedelic trips.  From a lifetime of spiritual precociousness.  And from communion with the denizens of strange and sparkling dimensions.  Are you going to direct your attention to the creepy and scary?  Or are you going to focus on clarifying your experience of THE JOY INHERENT in so much of those colorful mandalas that life offers up to you as the situations of your days, and nights, and dreams?  Advice for tripping.  Advice for life.

Sentient geometry, arcane equations, and a pungent aroma blasting doorways open.  And may we all have Sweet Dreams and Ever!

Fast forward a Year or Two ...

A pre-dawn fog swirled low along the Tamiami Trail.  You gotta go slow.  Grey puffs shimmering in dark-to-light patches.  Cold.  The great biological vastness of the liquid heart of the Greater Everglades was implied.  You could not see anything around you in the misty whorls.  The crunchy road.  That's it.  Chuckling boys and girls somewhere in that cotton.  Swamp bugs clicking and buzzing.  Your own vibrating sense of excitement.  The swirling cloudy mystery.

A small production crew organized by Miccosukee Magazine TV joined the creative nexus of Agape Featuring Nadia Harris for roadside selfies in the heart of the River of Grass, amidst the traditional homelands of the Miccosukee and Seminole peoples.  The mission:  to record the visuals for the music video.

The creative energies harnessed by one of South Florida's most respected art communities -- today a nonprofit known as the Moksha Arts Collective -- brought me together with music producer and artist Erick Paredes.  Probably at one of the Moksha parties.  Or so we think.

Who knows for sure where we met? -- but I remember in-joying late-night phone conversations with Erick.  I was living in my studio chickee at Otter Ave. on the Miccosukee Rez.  Music, magic, psychedelics, opinions on the Universe, lucid dreaming -- we riffed on it all.

It fascinated me watching Erick and Nadia create musical joy.  Over time, we came to work together on a number of projects, not the least of which was for the 40th Anniversary of the United South & Eastern Tribes annual conference.

Miccosukee Magazine TV production offices were setup inside the Miccosukee Tribe's diplomatic building.  The mansion is located along a tributary of the Miami River, across from the original Port of Miami at Sewell Park, a couple of blocks from Marlins Park stadium.

We loaded our production gear in the dark of that early morning, and drove together as a caravan across the built environment of Miami-Dade County, before leaving that veneer of civilization for the River of Grass section of the Greater Everglades.  We met up at Tigertail Airboat Tours, and ventured forth into the moist sawgrass fields, poised to create portals between worlds.

Talking with Erick and Nadia, they wanted to create an audiovisual experience that exalts the landscapes of the Everglades, and offer an ascendant vision that embraces all people, especially the indigenous communities.  They felt it would fit in with a trilogy of videos they were working on -- a series of escapades that links the favelas of Rio de Janeiro, with the Art Deco boulevards of South Beach, amidst a psychedelic adventure that liberates the human spirit.

In a series of articles, I'll be chatting with the artists involved in the music video production for ROW, a beautiful song created by Agape Featuring Nadia Harris.  They've begun the process of sharing the video project with the world, so I thought it would be a great time to dive deep into their art, and the magic that infuses their music.  We're gonna jump into a revealing conversation with them, to start things off.

In the next article, we'll learn more about the journey of the music video throughout the world, and the accolades it's received from some of the best film festivals in the world, including the imagineNATIVE Film + Media Arts Festival, held every October in Toronto, Canada.  But, to really appreciate how this video popped into the world, I'm also gonna introduce you to the evolving nature of Seminole and Miccosukee film histories.

Wanna get to it?
Let's check-in with Erick and Nadia about their art, music-making, and the creation of the music video.

Houston R. Cypress:
Nadia, my sister, how are you?

Nadia Harris:
All is well, brother.  I AM here giving thanks for life, health, and strength.  ❤️

Houston:
We're living in interesting times, my friends, what's life like for y'all these days?

Nadia:
Well, life is transitioning and I AM simply allowing it to take shape and form.  Many shows have been canceled for us but we are ready to adjust while practicing social distancing to protect each other in full.

Houston:
How about you, Erick?

Erick Paredes:
I been making the best out of the pandemic.  It's given me time to reflect.  I was working a lot previous to the shut down and was wishing for some time off to focus on much needed studio work.  I just didn't anticipate having it be like this.  But I'm thankful for that nonetheless.

Houston:
Dub shines in so many ways, and I know it's a musical style that is central to your work as musical artists.  Can you open my heart some more to what Dub as a musical philosophy celebrates?

Erick:
I love Dub.  Well, I love a lot of different styles.  Kind of goes back to having a naturally eclectic nature and upbringing.  Not seeing too many distinctions between all forms of Art.  That goes for styles, too.  I love all kinds of music.  I love the fact that there is so much diversity and so much to discover always.  But Dub to me really seems to embody that.  Dub is so free.  And it has this playful, no-rules, experimental nature at its foundation.  It encourages fusion and blending styles.  Plus, it has this Deep Psychedelic Nature to it.  What's there not to LOVE?  Dub is love.  😁

Houston:
Your words sound powerfully in my heart, brother, just like your music.  Some artists prefer to have the viewers from their own interpretations about the artwork.  Do you feel the same way?  Because I'm curious to learn what you'd like to share about the story within the music video.

Nadia:
I AM fine with both options.  Yes, we are saying something, we are asking the world to remember Pachamama, to remember that we are living in a world that is filled with humans, animals and other living things that are filled with water.
If the waterways of the world are polluted we become that same polluted water.
In the video, we transitioned from living, dressing, and being a slave to power plants, living in the city while being and looking stressed simply to repeat our mistakes on a daily basis, adding to our carbon footprints on and offline.
The video then transitions to us being in nature, with beings who represent peace, love, unity, and a deeper connection with Mother Earth, while living off the land getting energy from the Sun.

Erick:
ROW is a blessing.  A reminder of our journey.  About the real journey.  The inner journey.  We are guided by nature and spirit on this journey.  Our ancestors are present in our very Being, Breath, and DNA.  Nature speaks to us at every moment.  Its beauty is present at all times.  We just need to be present also.  Sometimes we forget that and that gets us in trouble individually and collectively.  But it's not that complicated in reality.  It's self-evident in our very existence.  That's some of what I can say it means to me.  it's about realizing and letting go.  But the primary intent with ROW is that the viewer is free to interpret it however they like.

Houston:
How does music-making fit into your artistic practice in general?

Nadia:
Like canvas and paint, bees and pollen, we exist together and we are not balanced alone.  We are the practice that produces the songs that heal together or not so, we are music and the music is us.

Erick:
We are creative beings living in "creation."  With that being said, what is not art?  I would say art is our very nature.
It's my therapy really.  I notice that if I'm not making music I go through ruff patches.  I get a little depressed and feel a little off.  I only noticed this because the moment I start to make music again after being away from it for a bit, all of a sudden, the Sun will seem to shine brighter and I start to feel whole again.  It doesn't matter what's going on in my life.  I can be broke, in physical pain, or everything may be going wrong around me, but if I can tap into that zone and create something I vibe with ... I'm transported and forget all my problems and pain for those moments.  I will feel like a billion dollars!  Ancient wisdom says that music in its purest form is medicine.  I agree from personal experience 100%.

Houston:
How did this musical journey get started for y'all?

Nadia:
My love for music and writing started when I was 3 years old.  I also started reading and writing at the age of 3, but my introduction to music came through Chanting Nyabinghi and playing Kete Drum.
When I met Erick, I started watching him make tracks with Logic and ProTools.  He sat me down one day and explained the importance and freedom producing gives.  I only produce and record myself at the moment but if he ever needs me to write a song, riddim, or record some vocals, I AM capable and ready.

Erick:
I got into production from dancing.  When I was a child like 5 years old, I used to put on John Travolta / Saturday Night Fever dance routines at family parties.  Then, of course, I took to breakdancing like a fish to water.  It's all I would think about and do.
One day when I was around 14, I went to the house of a notable graffiti writer YANO who had infamously bombed the neighborhood's school walls.  When I got to his house it was the first time I was exposed to a proper DJ set up.  I think he had those early Technics 1800's, not 1200', a Radio Shack mixer, and mic with reverb.  It was also the first time I was properly exposed to cutting, scratching and beatboxing.
I think it was at that moment that I realized that what I really loved was music.  It was the love of the music that whole time that was making me dance.  It wasn't long after that I started to collect my own records and gradually had my first makeshift studio.  Turntables, a mixer, and then it was a little drum machine.  From there it progressed to synths, etc.  It all took off organically.

Houston:
I feel you, brother.  In my experience, and experiments, I'm always curious to see what comes of the ways we bring energies, communities, concepts, and rhythms together for projects and art.  I've been really appreciating how you and your musical family have been able to share what successful collaboration grooves like, as encoded in the music that y'all emit.  My friend Gustavo Matamoros is a badass sound artist and he always reminds us that "sound is the evidence of life."  Can you tell me more about the project known as Agape Featuring Nadia Harris?

Erick:
Agape Featuring Nadia Harris is the flagship project and production for my label Sustainable Music.  It started upon meeting my amazingly talented partner Nadia Harris around 2004.  It's primarily her and I, but we have a large rotating body of band members and collaborators that we have worked with through the years.
It's a very free project stylistically, where we explore many styles and fusions of styles.  The unifying thread among all our music I would say is Dub.  So, let's just say it's Dub to keep it simple.  Add to that a soulful and conscious approach to the music and subject matter and there you go.  That starts to describe Agape ... as I see it anyways.
It's Nadia's and I's baby.  We both approach this project with a lot of respect and integrity.  It seems like the music and what comes out will have it no other way.  Like it has its own life and we are just on the ride.  It's a beautiful and amazing ride.  But not without its trials and tribulations.  The music seems to demand certain love and respect at its own time.  And lessons need to be learned in the process.

Houston:
When the process of creation makes you a better human being.  I love that!  It takes a bold, playful, and hopeful spirit to be able to blend worlds together in a groovy, ass-shaking kinda festivity.  Which is what you've done by integrating ROW with your other video projects.  The opening of the music video indicates that this is part of a trilogy.  What can you share with us about the other parts of this overall project?

Erick:
Yes, it's part of an upcoming trilogy and short film.  We have had the blessing to have hooked up with very talented people such as yourself and a slew of other collaborators and friends through the years to make the music videos possible.
I always wanted for the videos to express a larger story when viewed together.  Kind of how the songs and subject matter create a bigger story as an album.  In this case, there is a narrative and conceptual movement between the 3 videos.
The first video "She Really Likes It" is The Illusion.  The second video "If Love" is The Realization, and "ROW" the third video is The Letting Go.  It's about waking, realizing the game is rigged, and dropping the game and heading towards The Real.
The videos are interlinked by recurring characters and specially made interlacing segments that tie it all together.  This whole process has been a labor of love that has been moving at its own time ... very slowly.  But I been feeling this tremendous urge to really push the release of this at this time due to recent events.  I think the time for these videos to finally be released was always meant to be now.

Houston:
I'm reminded of the concept of entrainment, which I understand to be the synchronization process of aligning with a higher frequency.  When 2 frequencies overlap, the rhythms tend toward the stronger signal.  What sorts of vibes would you like to leave us with, understanding that in the Miccosukee Universe, departure is never truly final ...

Erick:
Hopefully we can inspire the human spirit at this time and by the way bring some awareness to certain issues such as water and ecological emergencies in South Florida and around the world during these very special and trying times.

Nadia:
We are living in the repeat of mistakes we have been making for ages so, the time has come for us to take a deeper look within, for we would exist because of Mother Earth and Water.  All in all, I hope the viewers will share their views on what ROW means to them, because what we did is only the beginning of a great movement.  We have done our part.  Now I AM humbled to see and hear what the world has to say about ROW.

... Please In-Joy ROW ...

by Rev. Houston R. Cypress, Otter Clan,
Board of Directors
Love The Everglades Movement

What's most meaningful to me about supporting this gathering?  I have 2 reasons.

Originally, I was looking forward to meeting the communities that this gathering would have brought together; but, due to the public health emergency created by the COVID-19 pandemic, everything is going online, virtual.  Over the years that I've been watching the Integral Theory blossom in many realms, I've been motivated by the incredible and positive changes throughout the world initiated by the diverse practitioners inspired by this work.  So, I was looking forwrd to meeting the people.

Secondly, I was looking forward to the expansion -- expansion of my heart and mind.  I want to be moved by what people are achieving on the land, with/in communities, and throughout the cultural expressions of diverse peoples.  The incredible work done by communities implementing Integral Theory have also cultivated beautiful, interdisciplinary and multidisciplinary artwork and coalitions.

These two areas -- community and culture -- combined with a decolonial attitude toward knowledge and wisdom, are some of the primary sites where the work of our nonprofit organization does very well.  And we are happy to be inspired by the cosmovisions and traditional ecological knowledges of the indigenous peoples of Turtle Island (known by some as the so-called Americas).  The frameworks, ideas, and critiques offered by the Integral community of theorists and practitioners have given us a way to talk across the divides.

We are honored and privileged to be able to do this work on lands that have been cared for by many indigenous communities of the past, present, and future -- including our friends:

• the Council of the Original Miccosukee Simanolee Nation Aboriginal Peoples,
  
• the Seminole Tribe of Florida,
  
• and the Miccosukee Tribe of Indians of Florida.
  

We encourage you to learn more about their environmental priorities, and to do your best to support policies that integrate their conservation principles on a local, regional, national, and international scale. We are happy to uplift the scientific and conservation efforts of the Miccosukee Environmental Protection Agency.

One of the many reasons it's important to acknowledge the indigenous communities of this land is due to the effects of erasure from mainstream narratives caused by (un)official policies.  We honor the value of other knowledge systems, and we are inspired to action by traditional ecological knowledge, the arts, and the insights gained through science and research and personal experience.  We encourage a broader understanding of the American context for Reconciliation.  To learn more about that, please look up the 2009 US Apology to Native Peoples.

By finding a balance between these paradigms -- the Circle of Life as upheld by the Miccosukee and Seminole peoples, and the quadrants and levels, etc., of the Integral Theorists -- the Love The Everglades Movement has been able to articulate protocols of joy that create conditions for a strengthened, and reciprocal, relationship with the natural world that we are a part of. The images in this article are taken from my presentation at the Creative Time Summit from 2018.  The link is provided below.

Ultimately, we want to be able to bring a sense of creative solidarity with the natural world, and also with our friends and family among the indigenous communities, the First Nations, the Original Peoples.

We look forward to connecting with the broader community to share ideas, and ultimately the joys of our gardens, with one another.

By Dorothy Downs,
​followed by a conversation with Rev. Houston R. Cypress

​I invite readers to Canoe Back in Time, to visit a Miccosukee family living in the Everglades in the early 1920s. The people believe that Breathmaker, or Creator, made the world and shaped for them the great open grass and watery plain known as the Everglades, and put animals and humans on the land.
 
The people learned how to live and care for nature, the trees and plants, the clean water, and all that inhabited the river of grass. They were told what they should grow or hunt to eat. This story tells how the family lived then and honored Breathmaker at the annual Green Corn Dance.
 
Miccosukee founding Chairman, Buffalo Tiger, told me stories and said he wanted a book written for children, telling them the family values he was taught. He asked me to write Miccosukee Arts and Crafts, published by the tribe in 1982. I have written and illustrated this book for him and the Miccosukee people. Canoe is a work of fiction, strongly based on real stories told to me and on real people with my mixture of first and last Miccosukee names and clans. I thank everybody.
 
In the early 1920s, the Miccosukees were worried about what effect the building of the road across the Everglades to be known as the Tamiami Trail would have. I have included in Canoe a story of an event at Green Corn Dance, during a time when the men talked about business:

​Canoe is set in a Panther Clan camp. Each chapter cover aspects of family life, told through a very creative ten-year old girl, Sally Osceola. She wakes up, remembering "Today is my special day." Her parents are going by canoe to Miami to buy supplies, including cloth and thread for sewing.

Sally can't wait to get to her mother's sewing machine to learn how to sew her outfit to wear to Green Corn Dance ceremonies. Breathmaker has told Sally she will be an artist and she wants to honor Creator. The story follows her and her family's activities up to the big events.
 
As an art historian, I have written about all of the arts of Miccosukees and Seminoles. Once a creative girl and artist myself, my special interest is tracing the history of patchwork clothing and the women artists who sew it. Sally Osceola's excitement about creating art is the spark for the storyline.

​Chapters cover:  busy life in the camp, children being taught in the outdoors, how to treat company, and collecting plants and learning about healing from Grandma, the matriarch of the camp. There are games, daytime and nighttime activities. Singing, dancing, and stories told by elders by firelight finish off their nights. The families and friends celebrate together a Happy New Year at Green Corn Dance.
 
I hope the reader enjoys the trip back to the beautiful Everglades we Love.
❤🙏
 
(Published by IRIE Books, Santa Fe, NM. Available on amazon.com.)

​I visited Dorothy Downs at her home office.  Ensconced amidst a stunning collection of Native American art that includes pottery, baskets, sand paintings, wood carving ...

​The jaw-dropper:  EFFIE OSCEOLA’s array of fiery patchwork grandeur.  An Otter Clan mother of many generations, Effie’s virtuosity weighs forth as massive textile wall panels.  It screams forth in a fiery gradient cascading thru scarlet, jacinth, & neon-goldenrod, offering just a hint of refreshment with a pure turquoise dash, boldly sovereign in a lush white foundation.
 
We had just finished re-watching Patterns Of Power, an hour-length feature produced by Dorothy on Miccosukee & Seminole patchwork, and the community that created this unique sewing technique in the Everglades.  It’s captivating to listen to the music inherent in the cadence of the Miccosukee women, firmly situated in the various institutions of a tribal community after 2-and-a-half decades of federal recognition and self-determination:  Delores Billie and Virginia Poole in the Miccosukee Health Department, Jennie O. Billie in the Miccosukee Indian School.
 
Dorothy Downs contributed to the momentum of Miccosukee artist Stephen Tiger’s art career by giving him his first one-man exhibition at her Four Corners Gallery in Coral Gables.  Stephen, and his brother Lee, are the nexus of the Miccosukee rock-&-roll band TIGER TIGER – they brought a psychedelic indigenous force to the stage in their day.  Today there are other Miccosukee music bands like TALKING DOGS, but TIGER TIGER blazed the path.  These guys, along with their father, Hon. Buffalo Tiger, started the annual Miccosukee Arts Festival, which celebrates indigenous culture in the Everglades for one week after Christmas.

​Dorothy and I are in the process of reprinting a beautiful catalog that she produced for Hon. Buffalo Tiger, Miccosukee Chairman in 1982 when it was first published.  
 
Times have changed for the Miccosukee Tribe these days.  The newest Miccosukee publication comes from their Fish & Wildlife Department:

The wire bound booklet clearly states “For internal use only, not for commercial purposes.”  In 1982, back when a whole different generation of elders were in key leadership positions, the Miccosukee were proud to share such treasures of their cultural traditions and artistic innovations.  These days, the Miccosukee community are taking time to talk about the importance of Data Sovereignty — guarding scientific data generated from tribal research activities.  Even so, this department had quite a bit to report at the recent GEER 2019 Everglades science conference.
 
With important film events featuring indigenous stories coming this fall with Borscht in Miami, & at FGCU in Naples, exploring Dorothy’s newest work underscores the importance of creative solidarity between communities, and the enduring sexiness of cinema.  

​H:
I’ve had the pleasure of getting reacquainted with your work over the past couple of years.  I deeply appreciate how you always show us love when we setup at different tribal festivals.  I love how the land and the Everglades shows up in so much of what you’ve produced in collaborating with the indigenous communities. Let’s talk about you as a writer.  
 
D:
At first I didn’t think I was literary.  But I guess I’m a writer HAH! look at all this.  (Gestures to her books.). The 1981 Miami Herald Tropic Magazine article, "Chickee Chic." It’s a nice big article.  I went to a high school reunion and a girl in my class happened to be an editor at Tropic.  "She said what are you doing now?"  I said," Oh well, I just finished my Masters Degree at UM in art history and I’m doing a little writing.“ She said, “Well write something for me.”  She called me in to The Miami Herald, and there was this room with a glass window.  There were people waiting, and I went in and she asked me questions.  She said, “There’s a typewriter, now go write it.”  I didn’t even type!  Much later, a friend told me, “I can’t believe what you wrote in the paper about Marjory Stoneman Douglas!”
 
H:
What has it been like learning from and learning with communities?
 
D:
I am so dependent on that and so fortunate the people would share with me so openly.  You saw in the video how Frances Osceola and all these people are happy to be able to share.  So I feel so fortunate that they are that open to me and I started this in 1976, a long time ago.  I didn’t bring gifts.  I’d just go in, sit down, say Hi, and start talking.  And they would just work.  Frances with Wild Bill.  Effie didn’t speak English, so Howard was there.  These people opened up to me and maybe they saw the importance of it, too.  The first person I interviewed was Howard Osceola, and I said, “Do you mind if I tape you?”  He said, “Oh no I tape my father-in-law all the time, Josie Billie.”  So I learned it was okay to tape, because they wanted this information saved, and I saw that I could help them do that.  I met Howard through the University of Miami, because he was working with Iron Arrow, the Honor Society at UM. 
 
H:
How has producing the film changed you since then?  Or how has it impacted you?
 
D:
When I would go out to interview people, I would leave the City of Miami and drive Tamiami Trail and suddenly things would change.  Suddenly you’re in the Everglades.  And I may have had some ideas and questions in my head, but I would get out there and let the people tell me what they wanted to say.  But just the environment of being out there, listening to them talk about what they love and do, but then coming back, just remembering what they said, not what I wanted to know.  And the beauty of the Everglades changed the whole thing.  Just going into it, experiencing it, and then coming back.  That was really important to my work.  I’d like to say how much I appreciate having this as a lifetime goal.  I feel so lucky to be able to do what I do and be accepted for it.
 
H:
What do you mean?  Tell me more.
 
D:
I believe that my mission in life is explaining the beauty of cultural diversity through art.  That is what I somehow recognize.  I feel chosen for that.  I don’t know why.  It’s just something I started doing and the path went on and on.  I met people. I met Miccosukee people.  I feel like that’s what I’m here for.  And yes it not only deepens me but it’s what I’m supposed to do.  Now I don’t want to sound strange about that, but, you know, sometimes you feel this is just right.
 
H:
You’ve had experience working with other indigenous communities, and I feel that my concerns are how traditional concerns and ecological concerns come together.  Do you have any experience with that in your relationships with other indigenous communities?
 
D:
I’m a Miami girl.  I was born in Miami and I so feel a love for the Everglades, for the whole thing, for the ocean, for the bay.  It’s very easy to be supportive of the Everglades.  The other communities I’ve worked with – say Navajo, or Pueblo potters – they’re different from here.  This is where I’m from, and to me that is really important, to tell the story of where I was born.
 
H:
Well, around here these days, in the circles I visit, people are concerned about the Environment, Climate Change, and Justice.  What’s the role of Art in this context?
 
D:
Making people stop and look and think.  Art is a way to introduce people.  This is the Everglades, this is how beautiful it is, and we need to take care of that.  Protect it.  And I think it can be done visually, more than any other way.  Or as equally as writing about it.  But visually you see the beauty of it.  That makes people stop and think, “Wait this is important, we can’t let go of this.”  And that’s the role art plays.

Brief commentary by Houston R. Cypress, followed by the Miccosukee Tribe's letter to SFWMD.

The Miccosukee Tribe is very skeptical of the latest plans put forth by the South Florida Water Management District resulting from Florida Senator Joe Negron's SB10 legislation.

First, there's the blatant disregard of the consultation process with the people living in the area that will be impacted downstream of this reservoir project.

The Miccosukee Chairman goes on to describe discriminatory policies and practices that the Miccosukee community have suffered and fought back against through litigation.

The Tribe objects to water storage in the Everglades Agricultural Area and advocates for storage north of Lake Okeechobee.  One reason for this is that the Tribe wants to see the water cleaned up, and this reservoir doesn't address the water quality.

The Tribe also points out the inaccurate and incomplete data, as well as faulty reasoning, published by the South Florida Water Management District.  Averaging data distorts the picture.  Leaving out monitoring stations distorts the picture.

The Tribe points to similar, big-ticket projects like the elevation of the Tamiami Trail, as a waste of taxpayer dollars that aren't effective on the ground, and he's wary that this is more of the same.

Billy Cypress has articulated the on-going discrimination that his community has been suffering for decades and he feels that the SB10 Reservoir project is going to lead to further loss of cultural practices and the continued degradation of the River of Grass.

Download the Miccosukee Letter to SFWMD using the link below.
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Brief commentary by Houston R. Cypress, followed by news links, and primary documents.

The Miccosukee Environmental Protection Agency (MEPA) is made up of 3 departments:

• Water Resources
• Fish & Wildlife
• Real Estate (Land Management).

In the past 35 years, the Miccosukee Community and MEPA have been working hard to record Traditional Ecological Knowledge and peer-reviewed data that is concerned with the environmental health of the Everglades.  The Miccosukee Tribe has been able to use their authority as a sovereign nation to promote and implement policies that aspire to a thriving Everglades.  There's still a long way to go.

One of the latest projects that MEPA has been working on for addressing Nonpoint Source Pollution on Tribal lands is finished.  The last step that the NONPOINT SOURCE POLLUTION MANAGEMENT PROGRAM PLAN goes through prior to being approved by the United States EPA is a public comment period.

PUBLIC COMMENT PERIOD:
November 30th through December 30th, 2017.

My favorite parts are the Introduction, and the Appendices.  LOL

The intro has a great overview that tells the story of the Miccosukee interests in protecting the Everglades, and how providing a healthy environment for cultural practices benefits the broader South Florida community.  It discusses water management challenges in balancing demands from many communities, and points to opportunities for partnership and teamwork on multiple levels.

I liked the Appendices because of the pictures and charts.  It really helps you to comprehend a complex situation in one glance.  What are the ways that the Miccosukee community use and interact with the Everglades?  Just how bad is the water quality throughout the Everglades?  All of that and more are effectively illustrated with charts.

And also in the Appendices, you can find specific Best Management Practices clearly organized.

I'm including 2 news reports that provide additional context.  You'll also find a download link for the Miccosukee Document, followed by the text from the Miccosukee Community Notice that was published a few days ago.

March 3, 2017 -- Miami Herald
"Water Managers Declare Everglades Nearly Clean; the People who live there say Not Yet"
Read more here:
http://www.miamiherald.com/news/local/environment/article136361188.html

September 25, 2017 -- Project Earth
"Of Sparrows and Men:  Native Culture and Extinction in the River of Grass"
Watch video here:
http://projectearth.us/of-sparrows-and-men-native-culture-and-extinction-in-t-1818732928 

Download the Miccosukee Document using the link below.
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COMMUNITY NOTICE
 
REQUEST FOR REVIEW OF:
NONPOINT SOURCE POLLUTION MANAGEMENT PROGRAM PLAN
Posted: November 30, 2017
 
The Miccosukee Tribe’s Water Resources Department has prepared a draft of the Nonpoint Source Pollution Management Program Plan, which is available for public review during normal business hours, 8:30 AM to 4:30 PM, Monday through Friday, except legal holidays, at the Miccosukee Water Resources Department (2nd Floor of the Administration Building). Interested parties may request copies and submit comments by using the contact information below.
 
Public Comment Period: November 30th through December 30th, 2017

Julian Douglas, Environmental Specialist
juliand@miccosukeetribe.com
(305) 223-8380 Ext. 2223

Comments may also be delivered through the U.S. Mail to:

Miccosukee Tribe of Indians of Florida
Water Resources Department, Attention: Julian Douglas
P.O. Box 440021, Tamiami Station
Miami, Florida 33144.