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Dorothy Downs

5/12/2019

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Dorothy Downs:  on story, film, and collaboration


By Dorothy Downs,
​followed by a conversation with Rev. Houston R. Cypress

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​I invite readers to Canoe Back in Time, to visit a Miccosukee family living in the Everglades in the early 1920s. The people believe that Breathmaker, or Creator, made the world and shaped for them the great open grass and watery plain known as the Everglades, and put animals and humans on the land.
 
The people learned how to live and care for nature, the trees and plants, the clean water, and all that inhabited the river of grass. They were told what they should grow or hunt to eat. This story tells how the family lived then and honored Breathmaker at the annual Green Corn Dance.
 
Miccosukee founding Chairman, Buffalo Tiger, told me stories and said he wanted a book written for children, telling them the family values he was taught. He asked me to write Miccosukee Arts and Crafts, published by the tribe in 1982. I have written and illustrated this book for him and the Miccosukee people. Canoe is a work of fiction, strongly based on real stories told to me and on real people with my mixture of first and last Miccosukee names and clans. I thank everybody.
 
In the early 1920s, the Miccosukees were worried about what effect the building of the road across the Everglades to be known as the Tamiami Trail would have. I have included in Canoe a story of an event at Green Corn Dance, during a time when the men talked about business:
A leader of Otter Clan said, "We're worried about what the road will do to the water, fish, and other wildlife. What about our canoe trails? Some of our men working on the road tried to talk to the people building it and warn them. They wouldn't listen."
​Canoe is set in a Panther Clan camp. Each chapter cover aspects of family life, told through a very creative ten-year old girl, Sally Osceola. She wakes up, remembering "Today is my special day." Her parents are going by canoe to Miami to buy supplies, including cloth and thread for sewing.
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Sally can't wait to get to her mother's sewing machine to learn how to sew her outfit to wear to Green Corn Dance ceremonies. Breathmaker has told Sally she will be an artist and she wants to honor Creator. The story follows her and her family's activities up to the big events.
 
As an art historian, I have written about all of the arts of Miccosukees and Seminoles. Once a creative girl and artist myself, my special interest is tracing the history of patchwork clothing and the women artists who sew it. Sally Osceola's excitement about creating art is the spark for the storyline.
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​Chapters cover:  busy life in the camp, children being taught in the outdoors, how to treat company, and collecting plants and learning about healing from Grandma, the matriarch of the camp. There are games, daytime and nighttime activities. Singing, dancing, and stories told by elders by firelight finish off their nights. The families and friends celebrate together a Happy New Year at Green Corn Dance.
 
I hope the reader enjoys the trip back to the beautiful Everglades we Love.
❤🙏
 
(Published by IRIE Books, Santa Fe, NM. Available on amazon.com.)

​I visited Dorothy Downs at her home office.  Ensconced amidst a stunning collection of Native American art that includes pottery, baskets, sand paintings, wood carving ...
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​The jaw-dropper:  EFFIE OSCEOLA’s array of fiery patchwork grandeur.  An Otter Clan mother of many generations, Effie’s virtuosity weighs forth as massive textile wall panels.  It screams forth in a fiery gradient cascading thru scarlet, jacinth, & neon-goldenrod, offering just a hint of refreshment with a pure turquoise dash, boldly sovereign in a lush white foundation.
 
We had just finished re-watching Patterns Of Power, an hour-length feature produced by Dorothy on Miccosukee & Seminole patchwork, and the community that created this unique sewing technique in the Everglades.  It’s captivating to listen to the music inherent in the cadence of the Miccosukee women, firmly situated in the various institutions of a tribal community after 2-and-a-half decades of federal recognition and self-determination:  Delores Billie and Virginia Poole in the Miccosukee Health Department, Jennie O. Billie in the Miccosukee Indian School.
 
Dorothy Downs contributed to the momentum of Miccosukee artist Stephen Tiger’s art career by giving him his first one-man exhibition at her Four Corners Gallery in Coral Gables.  Stephen, and his brother Lee, are the nexus of the Miccosukee rock-&-roll band TIGER TIGER – they brought a psychedelic indigenous force to the stage in their day.  Today there are other Miccosukee music bands like TALKING DOGS, but TIGER TIGER blazed the path.  These guys, along with their father, Hon. Buffalo Tiger, started the annual Miccosukee Arts Festival, which celebrates indigenous culture in the Everglades for one week after Christmas.
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​Dorothy and I are in the process of reprinting a beautiful catalog that she produced for Hon. Buffalo Tiger, Miccosukee Chairman in 1982 when it was first published.  
 
Times have changed for the Miccosukee Tribe these days.  The newest Miccosukee publication comes from their Fish & Wildlife Department:
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The wire bound booklet clearly states “For internal use only, not for commercial purposes.”  In 1982, back when a whole different generation of elders were in key leadership positions, the Miccosukee were proud to share such treasures of their cultural traditions and artistic innovations.  These days, the Miccosukee community are taking time to talk about the importance of Data Sovereignty — guarding scientific data generated from tribal research activities.  Even so, this department had quite a bit to report at the recent GEER 2019 Everglades science conference.
 
With important film events featuring indigenous stories coming this fall with Borscht in Miami, & at FGCU in Naples, exploring Dorothy’s newest work underscores the importance of creative solidarity between communities, and the enduring sexiness of cinema.  
​H:
I’ve had the pleasure of getting reacquainted with your work over the past couple of years.  I deeply appreciate how you always show us love when we setup at different tribal festivals.  I love how the land and the Everglades shows up in so much of what you’ve produced in collaborating with the indigenous communities. Let’s talk about you as a writer.  
 
D:
At first I didn’t think I was literary.  But I guess I’m a writer HAH! look at all this.  (Gestures to her books.). The 1981 Miami Herald Tropic Magazine article, "Chickee Chic." It’s a nice big article.  I went to a high school reunion and a girl in my class happened to be an editor at Tropic.  "She said what are you doing now?"  I said," Oh well, I just finished my Masters Degree at UM in art history and I’m doing a little writing.“ She said, “Well write something for me.”  She called me in to The Miami Herald, and there was this room with a glass window.  There were people waiting, and I went in and she asked me questions.  She said, “There’s a typewriter, now go write it.”  I didn’t even type!  Much later, a friend told me, “I can’t believe what you wrote in the paper about Marjory Stoneman Douglas!”
 
H:
What has it been like learning from and learning with communities?

 
D:
I am so dependent on that and so fortunate the people would share with me so openly.  You saw in the video how Frances Osceola and all these people are happy to be able to share.  So I feel so fortunate that they are that open to me and I started this in 1976, a long time ago.  I didn’t bring gifts.  I’d just go in, sit down, say Hi, and start talking.  And they would just work.  Frances with Wild Bill.  Effie didn’t speak English, so Howard was there.  These people opened up to me and maybe they saw the importance of it, too.  The first person I interviewed was Howard Osceola, and I said, “Do you mind if I tape you?”  He said, “Oh no I tape my father-in-law all the time, Josie Billie.”  So I learned it was okay to tape, because they wanted this information saved, and I saw that I could help them do that.  I met Howard through the University of Miami, because he was working with Iron Arrow, the Honor Society at UM. 
 
H:
How has producing the film changed you since then?  Or how has it impacted you?
 
D:
When I would go out to interview people, I would leave the City of Miami and drive Tamiami Trail and suddenly things would change.  Suddenly you’re in the Everglades.  And I may have had some ideas and questions in my head, but I would get out there and let the people tell me what they wanted to say.  But just the environment of being out there, listening to them talk about what they love and do, but then coming back, just remembering what they said, not what I wanted to know.  And the beauty of the Everglades changed the whole thing.  Just going into it, experiencing it, and then coming back.  That was really important to my work.  I’d like to say how much I appreciate having this as a lifetime goal.  I feel so lucky to be able to do what I do and be accepted for it.
 
H:
What do you mean?  Tell me more.
 
D:
I believe that my mission in life is explaining the beauty of cultural diversity through art.  That is what I somehow recognize.  I feel chosen for that.  I don’t know why.  It’s just something I started doing and the path went on and on.  I met people. I met Miccosukee people.  I feel like that’s what I’m here for.  And yes it not only deepens me but it’s what I’m supposed to do.  Now I don’t want to sound strange about that, but, you know, sometimes you feel this is just right.
 
H:
You’ve had experience working with other indigenous communities, and I feel that my concerns are how traditional concerns and ecological concerns come together.  Do you have any experience with that in your relationships with other indigenous communities?

 
D:
I’m a Miami girl.  I was born in Miami and I so feel a love for the Everglades, for the whole thing, for the ocean, for the bay.  It’s very easy to be supportive of the Everglades.  The other communities I’ve worked with – say Navajo, or Pueblo potters – they’re different from here.  This is where I’m from, and to me that is really important, to tell the story of where I was born.
 
H:
Well, around here these days, in the circles I visit, people are concerned about the Environment, Climate Change, and Justice.  What’s the role of Art in this context?
 
D:
Making people stop and look and think.  Art is a way to introduce people.  This is the Everglades, this is how beautiful it is, and we need to take care of that.  Protect it.  And I think it can be done visually, more than any other way.  Or as equally as writing about it.  But visually you see the beauty of it.  That makes people stop and think, “Wait this is important, we can’t let go of this.”  And that’s the role art plays.
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Dorothy Downs can be reached via email at:
dordow@me.com

Her book can be ordered on Amazon.com 

Upcoming Events will be at FGCU, and at the Borscht Corp, during November 2019.

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Walking Across Our Aquifer

5/12/2016

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by Robin Haines Merrill,
Coordination Circle, Love The Everglades Movement;
Curator, Upper Room Art Gallery.

ABOUT THE DESIGN CONCEPT:

From the Everglades to the ocean, water connects us all.  Underneath our feet, in the fragile aquifer of South Florida, water runs through limestone and supplies our daily needs.  In Fort Lauderdale, we are surrounded by canals, rivers, swamps, Intercoastal waterways and the ocean.  These painted intersection designs are an imaginary glimpse of what it might look like if we cut out the asphalt of the intersection.  It’s a traffic calming measure, but also a request to respect the water that surrounds us, seen and unseen.

The crosswalks reflect the vintage architecture of the local area, a retro review of styles and colors from the past that make us truly unique.
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I’d like to invite you to participate in a community art event in Fort Lauderdale on Sunday, May 15, 2016.
 
The City of Fort Lauderdale is part of a growing movement in cities across America that engages communities in public safety projects using artistic methods. This project was made possible in part through an "Art of Community" grant from the Community Foundation of Broward.
 
On Sunday, May 15th, the public will be painting in the Crosswalk sections of the design.  The center water design will be completed at a later date. Our hope is that this public artwork will help make the community safer and more mindful of traffic safety for all.
 
You can learn more about the PAINTED INTERSECTIONS PROJECTS by visiting the City’s website here:
 
http://www.fortlauderdale.gov/Home/Components/Calendar/Event/2936/2312?backlist=%2F
 
http://www.fortlauderdale.gov/departments/transportation-and-mobility/transportation-division/building-community-today/painted-intersections-project

Robin Haines Merrill is an Artist & Christian missionary, and curator for the Upper Room Art Gallery.  She is also a member of the Coordination Circle for the Love the Everglades Movement.  Her focus in art and activism is social justice, environment, and poverty issues.  She lived and worked in the Philippines for 15 years and has spent the last 15 years in South Florida.  Robin can be reached at:  robin@upperroomartgallery.com. 
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What We're Doing

4/14/2015

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by Jean Sarmiento, Coordination Circle,
Love The Everglades Movement

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Map can be found here: http://www.npr.org/blogs/codeswitch/2014/06/24/323665644/the-map-of-native-american-tribes-youve-never-seen-before
What we’re doing in the Everglades:
  • efforts to raise awareness;
  • get people involved;
  • thru their own media;
  • the Responsibility belongs with us all;
  • being here and supporting our Indigenous brothers and sisters.

There are parallels that exist throughout the world.

In Northern California, for example, the Indian Nations there that are going through the same struggles, now amplified by the States Drought.

So we do our part here in South Florida contributing to the well-being of our Environment. The further into the future we go the more prevalent the issue of Water will become and we see it already in more and more publications. http://www.nationofchange.org/2014/11/18/water-wars-21st-century/

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And although we have a deep respect and love for Science, I swear these guys are gonna research & pie-chart themselves up until the moment of destruction.  Let us look at the late, great Dr. Masaru Emoto and the gift he brought to the world with his beautiful research.  Can you not see the core of his message, Silly? 
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Yet, we have folks running around debating whether or not to show love to the water.  It’s that underlying discontentment – our need for more and more.  If you think I’m lying, then why do we have such high suicide rates? – and why do the Prozacs and other anti-depressants make billions?
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Humanity has been at War for waaaay to long.  The discontentment is so much that we would rather pay to send rockets in search of Water than take care of the abundance of Water we have here on Earth.  Emoto taught us if you want to know God, get to know these Waters, get to know yourselves and each other.  More importantly:  love each other, be kind, and the World will be kind right back.
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We are done with the Death Dealers we are done with the Wars.
It is time to start loving each other. The real love, not the idea we have, but rather that unifying principle; the force that makes cells divide and all things grow. And with that love comes a profound change that is expressed in this statement:
"It is easier to flush toxins from the river valleys than to remove toxic ideas that cause them from human minds. In the order of healing, it is human consciousness that must first change." 
- Ken Carey, Return of the Bird Tribes

And as far as I’m concerned healing and recycling are the biggest jobs.

We are ALL made of this Water, whether you like it or not.  And because of that, this Water ties us all together.  And so it is through these Waters that we can transmit and deliver this message of Love – appreciation penetrating the very core of our beings

This Love is the highest principle of cohesion and surely trumps any draconian system of control we are under. Allow this force to be our guiding light.

May the boundaries that impede humanity be dissolved!

And on the Strength and Authority of Universal Law we act to steer this planet to its deserved harmonious state. 
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Moksha Lecture Series:  Indigenous Ecologies & the Everglades

10/13/2014

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by Dr. Dennis Wiedman & Houston R. Cypress

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THE MOKSHA LECTURE SERIES PT. 4:
"INDIGENOUS ECOLOGIES AND THE EVERGLADES" 

A Dialog with Miccosukee Houston R. Cypress and Anthropologist Dennis Wiedman

Indigenous peoples around the world continue to express their views that natural and physical environments are being harmed by humans whose philosophies of life do not respect the Earth. The 2007 United Nations Declaration on the Rights of Indigenous Peoples confirmed their rights to traditional lands, resources, language, medicines, religions, media and culture. Anthropologist, Dr. Dennis Wiedman reflects upon the political and environmental changes occurring over the past centuries that disenfranchised Native Americans from their lands, their resources and their sacred places. Houston Cypress, member of the Miccosukee Otter Clan, brings an Indigenous world view to the public through his videos, words and actions. For the past several decades there has been a renaissance of Indigenous arts, music, and religions here in the US and throughout the world. The Indigenous voice is now being heard in films, music, the internet and in the courts.

Contemporary Native American scholars, artists and film makers are bringing to the public their ways of knowing about life, the Earth and human relationships with the Earth. Many of these express the Indigenous Peoples’ perspectives as caretakers of the Earth, as compared to those who view the Earth and resources as objects to be exploited, controlled, bought and sold. With environments being modified, polluted, and spoiled, this dialog and discussion of these differing world views may lead to reconciliation and a better understanding of how public policies can respect the Earth.

Here in South Florida where the natural Everglades, rivers, and wetlands were drained, canaled, controlled, filled-in and polluted, Indigenous Peoples continue to express their concerns about the quality of water and how it affects all human and biological life in the Everglades. In this evening of information sharing, dialog and discussion, Houston and Dennis compare and contrast these contested world views about the environment and nature facilitating a better understanding of the restoration of the Everglades and the need for public policies that respect the earth affecting the future quality of life for generations of South Floridians.

Dr. Dennis Wiedman is an anthropologist whose life long work on Native American health extends from the Miccosukee of South Florida, to the Delaware, Apache and Cherokee Tribes of Oklahoma, and the Inupiat of Northern Alaska. His research has ranged from traditional healing to contemporary health problems, from Peyotism as a health care delivery system, to the causes of Native American diabetes and the global increase of diabetes with modernity. Since receiving his Ph.D. in Anthropology from the University of Oklahoma, he has taught for many years at Florida International University where he is an Associate Professor in the Department of Global and Sociocultural Studies. His latest work is published in the American Indian Culture and Research Journal, and the American Indian Quarterly.

Houston Cypress, an Otter Clan member of the Miccosukee Tribe of Indians of Florida. Houston grew up in the swamps of the Florida Everglades, blazing trails through the bush. The endangered beauty of the natural environment made such an impression on him during his childhood – being a refuge for his ancestors and the source of traditional plant medicines – that he grew to find ways to articulate strategies for preserving this World Heritage Site. Art, communications and spirituality are some of the modalities and techniques that he employs through his collaborations with the following organizations Miccosukee Magazine TV; Film, Recording & Entertainment Council, FREC Star Gala, Medicine Signs Spiritual Center, Camposition, Inc. and the Love The Everglades Movement. Houston is committed to supporting his society of clans by assisting in cultural preservation, environmental protection, community outreach, business development, media & event production and strengthening sovereignty. He resides on the Miccosukee Reservation located west of Miami, Florida and he maintains a number of traditional villages located on tree islands scattered throughout Water Conservation Area 3A -- the area known as the historic River of Grass, and called by his community: Kaahayatle, which can be translated as "Shimmering Waters".

In consideration of the upcoming election on Tuesday, November 4, Amendment 1 which is about the environmental protection will be discussed. To learn more about the ballot initiative, check out www.FloridaWaterLandLegacy.org and www.VoteYesOn1FL.org - for more information.

*MOKSHA ART GALLERY EXHIBITION*

~JAKE CORDERO~ 

Stay later for musical entertainment with
~DJ CARE~ http://djcare.com/

Tuesday, October 28, 2014:
Doors open at 7:00pm
Lecture begins at 7:30pm (sharp) -10:00 pm

$10 donation pre-sale 
$15 donation at door
Pre-sale tickets available here:
http://mokshalecture10-28.bpt.me/

Share this event, thank you!

Come early for refreshments and snacks from Plaiedean Lounge.

7th Circuit Productions, 228 NE 59th St. Miami, FL 33137www.mokshafamily.org/ for info #305-757-7277
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Knowing the Past to Understand the Present

8/1/2014

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by Matt Schwartz,
Executive Director, South Florida Wildlands Association (Link).

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Dr. Carl Sagan (and many others) said - “You have to know the past to understand the present.”  If you want to understand what's ailing the Everglades - and why every rainy season polluted fresh water gets sent into the Caloosahatchee and St. Lucie Estuaries west and east of Lake Okeechobee - these two images are a great place to start.

Photo on the left is not real - it's a simulation of the historic "pre-drainage" Everglades.  What a satellite would have seen in the 19th century before the first major drainage canals were dug - if a satellite had existed.  The Everglades is one massive interconnected system - slowly flowing - both above ground and below - from just south of Orlando to Lake Okeechobee and then south over the soggy shoreline of the lake to the River of Grass and Florida Bay.  Photo on the right is what we actually see today.  Drainage canals have allowed about 6 million of us - and many more tourists - to settle on Florida's lower east coast - while millions of acres of natural wetlands surrounding Lake Okeechobee in all directions have been drained for agriculture (sugar, citrus, and other crops) and cattle ranching.  The water is laden with cattle waste, fertilizers, pesticides, urban runoff, and septic discharges.

A restored Everglades will be a system that looks - as much as now possible - like the photo on left.  The more natural wetlands we bring back - the less load we will be putting on the system and the more mother nature can do what she's always done in South Florida.  Want to really stop (or at least significantly diminish) the polluted discharges coming from Lake Okeechobee?  Clean up the water before it gets to the Lake and bring back the wetlands that can receive that water like they did before.  More to come.

For more information on Matt Schwartz and the South Florida Wildlands Association, please visit their website:  http://southfloridawild.org/.
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SS14:  EcoArt South Florida

8/1/2014

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by Dr. Mary Jo Aagerstoun,
Founder, EcoArt South Florida (Link).

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Still WAY UP THERE after a hugely encouraging two days at the Love the Everglades Movement's First Annual Summer Symposium 2014 where I was so honored to present this discussion of EcoArt as slow activism and the need for aesthetically powerful and tactically deft Activist Art for our ecologies.

Please feel free to use any of this if you find it useful.

https://www.dropbox.com/s/3vv0rlhomkddqb5/EcoArtActivismnotes.pdf

and for larger images of the slides:

https://www.dropbox.com/s/oacdllii34v1ynx/EcoArtActivismEcoArt.pdf

For more information on EcoArt South Florida, please visit their website:  http://ecoartsofla.org/.
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Ceremony:  Water Reaching the Bay

7/2/2014

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By Jean Sarmiento,
Coordination Circle, Love The Everglades Movement.

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It was much nicer than I had envisioned, even more meaningful to me than I thought it would be.
        Last year in April we borrowed a few gallons of Water from a sacred island in the Everglades the area is known as "Water Conservation Area 3A" Homeland of the Miccosukee people.  One of big issues we face as Floridians is the unnatural water levels in the Glades and its detrimental effects on the land, where we now see too much Water in the North and not enough Water in the South reaching Florida Bay.
        Our intent is to pray with these waters, caring for them, they have been to many prayer circles, many sweat lodges, many ceremonies, have touched the hands of many different beautiful men, woman and children who each has bestowed their love and gratitude unto these Waters, these very same Waters each and everyone of us depend on everyday to survive.  These very same Waters that will determine our continuation here on Earth.
        So we set out to Florida Bay with love, gratitude, appreciation in our hearts and gently released the Waters in a symbolic gesture of "Water reaching the bay" to connect with the land and offer our love our forgiveness, to hear our pleas and assist us in dissolving the boundaries that hinder humanity's progress, maybe, just maybe, we won't have to learn this lesson the Hard way.
        Let's give this Water the Respect it deserves!  I don't care if you think you're cute or you're a Diva or a tough guy gangster, el guapo, Rick Ross or you work for the government, if you're an Army Corps guy, if you have Money or if you're black, blue, pink.  It doesn't matter:  Appreciate this Water while you have it in such abundance because I guarantee you -- not maybe, or If -- I Guarantee you'll be crying for this water if it wasn't around.
        Thank you to all the men and women and children, past and present, who labor to bring light unto this world. 

Preserve - Restore - Conserve
One Love Florida Everglades
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Everglades Music Video:  THE RAVEN

5/20/2014

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by Quese IMC and Cempoalli 20,
from their album OSAHWUH.

"The Raven" is a single from the album "OSAHWUH" -- by Quese IMC & Cempoalli 20 -- and the album was released in April of 2013 at the Gathering of Nations Powwow.

http://www.cdbaby.com/cd/osahwuh (Link)
https://itunes.apple.com/us/album/osahwuh/id647390566 (Link)

The song and the album unites the creative fires of these 2 musical artists -- an evocative and inspirational blend of Indigenous Hip Hop and Turtle Island Reggae.

THE RAVEN music video was born out of an encounter between QUESE IMC, Cempoalli 20 and Houston Cypress deep in the Florida Everglades -- the historic homeland and refuge of the Micccosukee and Seminole people.

The musical artists were visiting the Miccosukee community sharing a message with the youth which emphasized the importance of cultural integrity and maintaining traditions, a healthy and drug-free lifestyle, and how the artistic process can contribute to their personal growth.

"The music video," says Quese IMC, "is about the importance of Earth and how we connect to the Earth and how Earth makes us want to move, jump, dance." He goes on to explain, "people are polluting the Everglades and it is sacred to us."

The locations featured in the video include the following:

- Water Conservation Area 3A -- otherwise known as the Central Everglades, or the River of Grass;
- Otter Clan village on the Miccosukee Reservation;
- Graffiti walls in the Wynwood Arts District of Miami, Florida;
- 7th Circuit Studios, home of the Moksha Family Arts Collective, in the Little Haiti neighborhood of Miami, Florida.

THE RAVEN emerges from the fire, bringing with it a message that unifies different communities, and restores balance to the land and our lives through the power of spirit-infused artistic expressions.

Houston Cypress: "It was important for us to show the grassy waters of the Florida Everglades, and to film in the Otter Clan Village of the Miccosukee Reservation because the poor water quality and the high water levels have a direct and negative impact on the Miccosukee & Seminole way of life. Flooding causes the trees that hold the islands together to drown, and without the root system to hold the islands together, the tree islands literally dissolve. So much life depends on the vitality of the Tree Islands: the plants, the animals, even the Miccosukee society of clans. So, because of this dissolution of the tree islands, you can say that we are losing our roots."

Houston Cypress, Executive Producer of the music video, explains about his production company, "Otter Vision, Inc., explores themes of Culture, History and Environment in all the various projects and formats that I get involved in, whether it's audio-visual forms for film, television, or video. Events, festivals, experimental projects, activism, or spirituality -- it's all concerned with creating 'Portals Between Worlds' and 'Contributing to the Global Discussion' -- these are my creative and spiritual manifestos."

Assisting in the production process, Felipe Marrou with VTM Productions brings decades of experience, with projects distributed on major networks, and for a variety of corporate clients.

Dudley Alexis of Epyllion Films, LLC, oversaw the post-production process. He collaborated with animator Jean Sarmiento to manifest the characters "Buffalo Boy" and "The Raven," based on creative discussions with QUESE IMC and Cempoalli 20.
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    So many voices.  So many colors.  So many nations.  One water.

    We are the Movement's many voices -- from the Coordination Circle, from the allies and supporters, and from those who yearn to share their Love of the Everglades.

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